As audiobooks become more and more of a thing, so do the Audie Awards. It’s like the Oscars, but for audiobook performances. There are so many great narrators out there deserving recognition - here are some of our favorite winners from the 2020 Audie Awards. Many of these titles are in our digital app Libby, and all you need to sign in is your library card and PIN. Point of interest: this year’s winners featured two separate audiobooks from a father and a son. Do you know who they are? (The answer’s at the bottom.) Audiobook of the Year and Best Multi-Voiced Performance The Only Plane in the Sky: an oral history of 9/11 - by Garrett Graff, full cast recording Best Narration by Author With the Fire on High - by Elizabeth Acevedo, read by the author Best Suspense/Thriller The Institute - by Stephen King, read by Santino Fontana Best Fantasy Ten Thousand Doors of January - by Alix E. Harrow, read by January Lavoy Best Female Narrator Nothing to See Here - by Kevin Wilson, read by Marin Ireland Best Male Narrator Kingdom of the Blind - by Louise Penny, read by Robert Bathurst Best Literary Fiction The Water Dancer - by Ta-Nehisi Coates, read by Joe Morton Best Business/Personal Development So You Want to Start a Podcast? - by Kristen Meinzer, read by the author Best Middle Grade Charlotte’s Web - E.B. White, full cast recording Best Short Stories Full Throttle - by Joe Hill, full cast recording Best Audio Drama Angels in America - by Tony Kushner, full cast recording Best Autobiography/Memoir Becoming - by Michelle Obama, read by the author Best Faith-Based Fiction/Nonfiction How the Light Gets In - by Jolina Petersheim, read by Tavia Gilbert Best Fiction City of Girls - by Elizabeth Gilbert, read by Blair Brown Best Mystery Chestnut Man - by Soren Sveistrup, read by Peter Noble Best Romance Devil’s Daughter - by Lisa Kleypas, read by Mary Jane Wells Best Young Adult Hey Kiddo - by Jarrett J. Krosoczka, full cast recording So, who’s the father/son pair? If you didn’t know, it’s Stephen King and Joe Hill. “Joe Hill” is a pen name King’s son used initially so that he could succeed on his own merit, rather than on the coattails of his famous father. Hill confirmed his identity in 2007, though speculation about his parentage had been feeding the rumor mill for years.